Guide An die Musik Op.88 No. 4 - Score and Parts

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Raff calls for a Larghetto tempo for the work, giving it a dreamlike quality and conjuring up images of a warm day by a lake. Chant de l'ondin was published in Am Giessbach op. It was written in Wiesbaden in at a time when Raff was working as a music teacher in two of the spa city's prestigious ladies' schools, and was published in , quickly becoming a favourite in salons. Essentially mono-thematic, the main interest is in the busy figurations which decorate the gently undulating theme and portray the gushing water as it surges towards, and over, the falls into the lake below.

Capriccio op. The opening material returns to close the work, building up to a forceful finish. The Andantino barcarole is an atmospheric evocation of a trip in a small boat. The continuous figuration dappled sunlight on the water? This excerpt is from the central climax to the music's end. Impromptu-Valse op. Like much of Raff's superior "salon" music, an amateur pianist would have needed a powerful technique to bring the work off successfully.

The Impromptu-Valse dispenses with the impressionist style of its predecessor Dans la nacelle and launches into an Allegro vivace of filigree passage work over a waltz rhythm in the lower registers before the B flat gives way to a middle section which comprises a beautifully halting light waltz in G flat. The work closes with a return to the opening Allegro. La Polka de la Reine Caprice in A flat op. Century in the repertoire of older pianists. It was the last of the four works written in Wiesbaden in and is typical of the occasional piano pieces written by Raff throughout his career.

The piano writing scintillates with charm and easy melody - though it is far from easy for the performer and to categorise it as a "salon" piece hardly does justice to its technical demands. The extract is from the start of the piece.

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Le Galop op. Dedicated to William Mason , his American friend from their time with Liszt in Weimar , it was published in and proved sufficiently popular to be republished nine years later. This breakneck gallop is in E flat but passes though several other keys in its captivatingly breathless dash to the finishing post. Effective though it is, it is perhaps typical of the salon music which Raff continued to write as his name as a serious composer grew and the existence of which eventually harmed that reputation.

Five Eglogues op. These five essays in the genre were written by Raff in and published by Peters of Leipzig in in two volumes. They were dedicated to his wife Doris. III The Bird. String Quartet in b minor, Op. Finale: Allegretto. III III The Frog. III The Lark. III Rider. Allegro ma non troppo. String Quartet in d minor, Op. Poco Adagio. Allegro spirituoso. XX Op.

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